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Study for Bristol Aeroplane Company, Corsham: Production Line (i) by Olga Lehmann, graphite, watercolour and ink on paper

Fine Art, In Storage, FA01370

A versatile painter, illustrator and designer, Olga Lehmann was one of few wartime artists who received steady commissions outside of the Official War Artists’ scheme.

Study for Bristol Aeroplane Company, Corsham: Production Line (i) by Olga Lehmann, graphite, watercolour and ink on paper, 1943, The artist's estate / RAF Museum / RAF Museum

Study for Bristol Aeroplane Company, Corsham: General View by Olga Lehmann, graphite, watercolour and ink on paper

Fine Art, In Storage, FA01369

A versatile painter, illustrator and designer, Olga Lehmann was one of few wartime artists who received steady commissions outside of the Official War Artists’ scheme.

Study for the Bristol Aeroplane Company, Corsham: General View, by Olga Lehmann, graphite, watercolour and ink on paper, The artist's estate / RAF Museum

Study for Bristol Aeroplane Company, Corsham: Production Line (ii) by Olga Lehmann, graphite, watercolour and ink on paper

Fine Art, In Storage, FA01371

A versatile painter, illustrator and designer, Olga Lehmann was one of few wartime artists who received steady commissions outside of the Official War Artists’ scheme.

Study for Bristol Aeroplane Company, Corsham: Production Line (ii) by Olga Lehmann, graphite, watercolour and ink on paper, 1943, The artist's estate / RAF Museum / RAF Museum

Study for 'Take Off': Flight Engineer Alexander Quadling by Dame Laura Knight, charcoal on paper

Fine Art, In Storage, FA01199

This detailed preparatory study of Flight Sergeant Alexander Quadling, a Flight Engineer, is one of many large drawings Knight made for the painting ‘Take Off’ (1943, Imperial War Museums), in which she represented a Stirling bomber crew at RAF Mildenhall preparing for flight.

Study for 'Take Off': Flight Engineer Alexander Quadling by Dame Laura Knight, graphite on paper, 1943, RAF Museum/Iain Duncan / RAF Museum

Study for 'Take Off': Stirling Bomber Cockpit by Dame Laura Knight, charcoal and watercolour on paper

Fine Art, In Storage, FA01208

This detailed study represents the interior of a Stirling Bomber aircraft. It is one of many preparatory works, drawn on large sheets of paper, which Dame Laura Knight made for the painting ‘Take Off’ (1943, Imperial War Museums).

Study for 'Take Off': Stirling Bomber Cockpit by Dame Laura Knight, charcoal and watercolour on paper, 1943, The artist's estate and Bridgeman Images / RAF Museum

Study for ‘Take Off’: Interior of a Stirling bomber and Crew by Dame Laura Knight, charcoal and watercolour on paper

Fine Art, In Storage, FA01177

This detailed compositional drawing represents a Bomber Command crew in a Stirling cockpit. It is one of many preparatory works, drawn on large sheets of paper, which Dame Laura Knight made for the painting ‘Take Off’ (1943, Imperial War Museums).

Study for u2018Take Offu2019: Interior of a Stirling bomber and Crew by Dame Laura Knight, charcoal and watercolour on paper, The artist's estate and Bridgeman Images / RAF Museum / RAF Museum

Little Ships by Sybil Andrews, oil on canvas

Fine Art, In Storage, FA00994

This is one of seven paintings Andrews made about boat building, which she developed after the war from wartime sketches taken while working for the British Power Boat Company in Hythe, Southampton, which built high-speed launch craft for RAF air sea rescue missions.

Little Ships by Sybil Andrews, oil on canvas, circa 1943., The Glenbow Museum of Art, Calgary, Alberta, Canada / RAF Museum.

Welding by Sybil Andrews, oil on canvas

Fine Art, In Storage, FA00997

This is one of seven paintings Andrews made about boat building, which she developed after the war from wartime sketches taken while working for the British Power Boat Company in Hythe, Southampton, which built high-speed launch craft for RAF air sea rescue missions.

Welding by Sybil Andrews, oil on canvas, circa 1943, The Glenbow Museum of Art, Calgary, Alberta, Canada / RAF Museum

Damaged Propellers Arrive at a Maintenance Station by Roland Vivian Pitchforth, watercolour on paper

Fine Art, London, Art Gallery, Hangar Three, L001-1793

From the Air Ministry allocation of works from the War Artists' Advisory Committee, 1947. Original accession number: LD5014.

Damaged Propellers Arrive at a Maintenance Station by Roland Vivian Pitchforth, watercolour on paper, 1942, © RAF Museum / RAF Museum

Fired Out Engines by Roland Vivian Pitchforth, watercolour on paper

Fine Art, London, Art Gallery, Hangar Three, L001-1794

From the Air Ministry allocation of works from the War Artists' Advisory Committee, 1947. Original accession number: LD1989.

Fired Out Engines by Roland Vivian Pitchforth, watercolour on paper, 1942-43, © RAF Museum / RAF Museum