Showing 11 to 20 of 26 search results

Mural Study (squared up) of the Camouflage Workshop, Ministry of Home Security Camouflage Establishment (VI) by Anne Newland, graphite and watercolour on paper

Fine Art, London, Art Gallery, Hangar Three, FA01379

During the Second World War mural painter Anne Newland worked for the Ministry of Home Security Camouflage Establishment in the Midlands. Its aim was to conceal major British buildings from enemy sight, preventing their destruction from air raids.

Anne Newland watercolour study for a proposed mural of the camouflage workshop, Ministry of Home Security Camouflage Establishment, The artist's estate / RAF Museum / RAF Museum

Study of Camouflage School Workshop, Ministry of Home Security Camouflage Establishment by Anne Newland, ink on paper

Fine Art, London, Art Gallery, Hangar Three, FA01387

During the Second World War mural painter Anne Newland worked for the Ministry of Home Security Camouflage Establishment in the Midlands. Its aim was to conceal major British buildings from enemy sight, preventing their destruction from air raids.

Anne Newland ink drawing of artists and designers working in the Ministry of Home Security Camouflage Establishment, Leamington Spa, Consult Collection Curator before use. / RAF Museum

Producing Model Buildings in the Camouflage Workshop, Ministry of Home Security Camouflage Establishment by Anne Newland, ink on paper

Fine Art, London, Art Gallery, Hangar Three, FA01384

During the Second World War mural painter Anne Newland worked for the Ministry of Home Security Camouflage Establishment in the Midlands. Its aim was to conceal major British buildings from enemy sight, preventing their destruction from air raids.

Anne Newland ink drawing of artists and designers making building models in the Ministry of Home Security Camouflage Establishment, Leamington Spa, Consult Collection Curator before use. / RAF Museum

Mural Study of the Camouflage Workshop, Ministry of Home Security Camouflage Establishment (III) by Anne Newland, graphite and watercolour on paper

Fine Art, In Storage, FA01376

During the Second World War mural painter Anne Newland worked for the Ministry of Home Security Camouflage Establishment in the Midlands. Its aim was to conceal major British buildings from enemy sight, preventing their destruction from air raids.

Anne Newland watercolour study for a proposed mural of the camouflage workshop, Ministry of Home Security Camouflage Establishment, Consult Collection Curator before use. / RAF Museum

Studies of a Land Girl in a Gun Pit Overlooking an Aerodrome by Denis Barnham, ink on paper

Fine Art, In Storage, FA01015

Inscribed: '3/6/44 Studies of a Landgirl in a gun pit overlooking an aerodrome. Redhill 44.'

Studies of a Land Girl in a Gun Pit Overlooking an Aerodrome: seated female figure on the right looks back at the viewer. Three female figures to her left, two seated and one standing, look towards the aerodrome on the horizon behind, The artist's estate / RAF Museum

Study for Bristol Aeroplane Company, Corsham: General View by Olga Lehmann, graphite, watercolour and ink on paper

Fine Art, In Storage, FA01369

A versatile painter, illustrator and designer, Olga Lehmann was one of few wartime artists who received steady commissions outside of the Official War Artists’ scheme.

Study for the Bristol Aeroplane Company, Corsham: General View, by Olga Lehmann, graphite, watercolour and ink on paper, The artist's estate / RAF Museum

Study for Bristol Aeroplane Company, Corsham: Production Line (i) by Olga Lehmann, graphite, watercolour and ink on paper

Fine Art, In Storage, FA01370

A versatile painter, illustrator and designer, Olga Lehmann was one of few wartime artists who received steady commissions outside of the Official War Artists’ scheme.

Study for Bristol Aeroplane Company, Corsham: Production Line (i) by Olga Lehmann, graphite, watercolour and ink on paper, 1943, The artist's estate / RAF Museum / RAF Museum

Direct Hit by Adrian Hill, ink on paper

Fine Art, In Storage, FA01538

This Blitz scene is one of several drawings Adrian Hill made of Second World War subjects, and it might have formed part of a sequence of his ink drawings in the RAF Museum collection.

Adrian Hill ink drawing of a blitzed architectural scene as seen from above, Royal Air Force Museum / RAF Museum

Royal Observer Corps, Rottingdean by Roland Vivian Pitchforth, watercolour on paper

Fine Art, In Storage, L001-1900

As an Official War Artist, Roland Vivian Pitchforth undertook many commissions through the War Artists' Advisory Committee during the Second World War. This watercolour shows a Royal Observer Corps observation post. It was commissioned by the Admiralty as part of a series representing naval vessels and subjects related to maritime warfare around the British coastline.

Roland Vivian Pitchforth watercolour of Royal Observer Corps observers at an observation post in Rottingdean, © RAF Museum / RAF Museum

Night Vigil by Anthony Gross, watercolour and ink on paper

Fine Art, In Storage, FA00814

This scene represents a member of the Observer Corps keeping watch from a sandbag look-out post, while barrage balloons are positioned to divert enemy aircraft away from air raid targets.

Night Vigil by Anthony Gross, watercolour and ink on paper, © The Estate of Anthony Gross. All Rights Reserved 2020 / Bridgeman Images / RAF Museum